šŸ’„BLAST! - a newsletter
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Mastering an instrument played without touch. BLAST header

Hello gorgeous friends, I hope all’s well. Judging by the replies, last week’s email touched many nerves. I’m comforted that I’m not alone in my struggle against blight-emitting diodes. Squares of duct tape are popular, but I still think you can do better. This week, by contrast, we’re not touching anything.


Lev Termen playing his theremin. Can’t see him? Click here.

Wave your hands in the air

Invented a hundred years ago, the theremin is a fascinating thing. Named after its inventor, even though that wasn’t his name. Often called the first electronic instrument, even though it wasn’t. And it’s commonly known for appearing in the chorus of the Beach Boys’ Good Vibrations, even though it didn’t.

Nevertheless, the appeal of its eerie, melancholic, other-worldly tone endures: as familiar as a violin, while also as distant as the static from a detuned radio.

The theremin remains noteworthy for being played without physical contact. It is therefore very easy to play while also fiendishly difficult to play well. You could probably count the people who’ve truly mastered it on the fingers of two outstretched hands.

Pioneering musicians like Clara Rockmore, who took to the Theremin to perform classical pieces in the 1920s, are now properly celebrated along with the instrument they mastered. Longtime theremin manufacturer Moog has even named its latest in Rockmore’s honour: the Claravox Centennia. You can hear and watch it in action with piano accompaniment in a style echoing Rockmore’s own recitals with her pianist sister Nadia Reisenberg.

More handwavy goodness comes from this month’s Electronic Sound magazine whose title feature examines the instrument and some of its greatest players.

Lev Termen playing his theremin. Can’t see him? Click here.

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